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....................Yang Si-Young is a promising young artist known as a heartism artist. His world of artworks seems to be peculiarly composed of multiple relationships with life, death, delight, pleasure and artist beyond the esthetic phenomenon built from the relation between artist and objects. Here the clear and bright image like a child is greenly built through the frankly expressed heart of love without pretense and plentifully free expression.
....................So his painting stimulates aesthetic pleasures with the picturesque tension originated from the relation among the light, line and color which are freely composed in the unsymmetrical balance.
....................In other words, this artist expresses his painting more actively and more plentifully with the combination of many colors as if he divides the surface of canvas from the various sights when he expresses animal or nature with his positive mind. He visualizes the inspiration, which he felt about object such as an animal before drawing a picture, into a formative image by reilluminating through his inner mind.
....................Artistic pleasures can be felt from the painting in which the shapes of animals, trees, flowers and sun change into new images. By unfolding the pleasure of this intensive formativeness into completely different phase, he shows the new reality on the canvas by artistically embodying the reality.
....................Especially, by borrowing the external figures of nature and animals, his trial to express the shapes he watches into imaginative and new shapes through lovely and pure heart is very positively valued.
....................Therefore a series of his artworks has heartism like purity and metaphor, which is different from the older generation¡¯s abstract work or naturalism work. Like this, the reason why his artworks are pure and metaphorical seems to be originated from the pleasure and interest he recreates into new meaning by combining pre-existing shapes in his inner mind.
....................This is because the artist¡¯s sensibility for artistic creation and epistemology for behavior are different from the traditional viewpoint. The general elements of life, so to speak, has the possibility to form discussion about the metaphysical ontology which is different from the text metaphysics of thought.
....................Therefore it is thought that his painting is not just an expression of sun, tree, animal, and so on but rather than makes metaphorical, symbolic and philosophical suppositions emerged from the newly imaginable love by embracing the picturesque situation multidimensionally and then postulates the artwork by connecting with animals and natural beings.
This can be said to correspond to the inner area which speculates on the basis of introspection.
....................So, perhaps the artist comes to need a paradigm of thought as a new medium in order to persue a new formativeness. This is for the expression of a higher level prominent artwork not for the simply formative sensible artistic level.
....................First of all, in the aspect of external appearance, there is loveliness and subtlety like the cute smile of innocent child in this artist¡¯s painting which has noticeable irregularity. Therefore the appreciator can perceive a living formativeness in the subtle imbalance of his painting which expresses gentle formativeness with delicate colors and lines without losing the pure mildness and elegance. This can be said to unconsciously or emotionally reflect various human natures originated from natural environment.
....................In this respect, Yang Si-Young must have agonized over formativeness in various ways. And he seems to seek for more sensible and purer formative language of essential level on the basis of various shapes of nature and animals while undergoing great and small trials and errors. For that reason, he may have agonized over the sensible formativeness about the essential element of animal, nature and things which he wants to embrace with his love.
....................The fact that he was immersed in the formative study in spite of his young age makes us estimate about his sincerity, passion and immersion in artworks. From now on, he seems to pour much time into the internal formative work which is affectionately extracted from the external shapes of nature and animal. In that process, he will search for the internal existence which exists in the relation with thing and with external thing and also is pure in itself.
....................Maybe this artist can receive more psychological stress when he creates artworks because the working environment becomes poorer as time goes by. But in the aspect of fundamental part of curing nature and humans, regardless of anything related with various animals and nature, it is thought that his passion to seek for essential things with love as his heart frankly goes will be continued.
....................It is expected that beautiful and vigorous paintings which can give dream and pleasures to many people will be created by the artistic hand of Yang Si-Young. There are colors and formative beauty which have imaginative and newly emotional motif in the picture of this artist, who maintains a consistent attitude with a delicate emotion in his life.
....................Therefore, a series of his artworks connotes symbolism and metaphor implying the purity of beautiful life which blooms in the middle of love and is rarely found in the older generation¡¯s abstract works or naturalism works. |
